List of Illustrations | ||
Foreword: What's all the noise about? | ||
Acknowledgments | ||
Introduction: Reggaeton's Socio-Sonic Circuitry | ||
Mapping Reggaeton | ||
From Música Negra to Reggaeton Latino: The Cultural Politics of Nation, Migration, and Commercialization | ||
The Panamanian Connection | ||
Placing Panama in the Reggaeton Narrative: Editor's Notes | ||
Reggae in Panama: Bien Tough | ||
The Panamanian Origins of Reggae in Español: Seeing History through "Los Ojos Café" of Renato | ||
Muévelo (Move It!): From Panama to New York and Back Again, the Story of El General | ||
(Trans)Local Studies and Ethnographies | ||
Policing Morality, Mano Dura Stylee: The Case of Underground Rap and Reggae in Puerto Rico in the Mid-1990s | ||
Dominicans in the Mix: Reflections on Dominican Identity, Race, and Reggaeton | ||
You Got Your Reggaetón in my Hip-Hop: Crunkiao and "Spanish Music" in the Miami Urban Scene | ||
Visualizing Reggaeton | ||
Visualizing Reggaeton: Editors' Notes | ||
Images | ||
Images | ||
A Man Lives Here: Reggaeton's Hypermasculine Resident | ||
How to Make Love with Your Clothes On: Dancing Regeton, Gender, and Sexuality in Cuba | ||
Reggaeton's Poetics, Politics, and Aesthetics | ||
Chamaco's Corner / Gallego | ||
Salon Philosophers: Ivy Queen and Surprise Guests Take Reggaetón Aside | ||
From Hip-Hop to Reggaeton: Is There Only a Step? | ||
Black Pride | ||
Poetry of Filth: The (Post) Reggaetonic Lyrics of Calle 13 | ||
Bibliography: Selected Sources for Reading Reggaeton | ||
Index | ||
Gendering Reggaeton (W)rapped in Foil: Glory at Twelve Words a Minute | ||
The Politics of Dancing: Reggaetón and Rap in Havana | ||
Images |