| | Introduction | p. 3 |
| | The General Disciplines That Every Writer Needs | p. 7 |
| | Writing Every Day | p. 7 |
| | Learning How to Write Without Restraint | p. 10 |
| | Avoidance, False Starts, and Dead-End Thinking | p. 13 |
| | A Final Note About Process | p. 14 |
| | The Elements of Fiction | p. 17 |
| | The Narrative Voice | p. 17 |
| | First-Person Narrative | p. 18 |
| | Third-Person Narrative | p. 22 |
| | The Omniscient Narrator | p. 25 |
| | Final Notes on Narrative Voice | p. 29 |
| | Showing and Telling | p. 30 |
| | Sensations | p. 34 |
| | Emotions | p. 35 |
| | The Pedestrian in Fiction | p. 36 |
| | Metaphor and Simile | p. 37 |
| | Final Note on Showing and Telling | p. 40 |
| | Character and Character Development | p. 40 |
| | A Final Note on Character Development | p. 47 |
| | Story | p. 48 |
| | Intuition Versus Structure | p. 51 |
| | Engagement | p. 55 |
| | Plot | p. 56 |
| | Final Thoughts on Plot and Story | p. 61 |
| | The Uses of Poetry in Fiction Writing | p. 62 |
| | Where to Begin | p. 65 |
| | Congratulations | p. 65 |
| | First Words | p. 65 |
| | The Midlands of the Novel | p. 69 |
| | Research | p. 70 |
| | Rewriting, or Editing | p. 73 |
| | The First Draft | p. 73 |
| | The Second Draft | p. 74 |
| | The Many Drafts That Follow | p. 76 |
| | The Elements of Rewriting | p. 78 |
| | The Nexus of Character, Story, Theme, and Plot | p. 78 |
| | The Devil and the Details | p. 81 |
| | Repetition | p. 81 |
| | Descriptions and Condensation | p. 82 |
| | Dialogue | p. 87 |
| | A Solitary Exercise | p. 92 |
| | Music | p. 93 |
| | When Am I Finished Rewriting? | p. 95 |
| | Miscellany | p. 97 |
| | On Genre | p. 97 |
| | A Note on Aesthetics | p. 98 |
| | Writing Workshops | p. 99 |
| | Literary Organizations, Agents, Publishers...and Getting Published | p. 101 |
| | In Summation | p. 103 |
| | Index | p. 105 |