| Foreword, by Martin Scorsese | ||
| Introduction | ||
| Beginning | ||
| Introduction | ||
| I Call First | ||
| Who's That Knocking at My Door | ||
| Reconsideration | ||
| Woodstock: An Interview with Martin Scorsese & Company | ||
| Boxcar Bertha | ||
| Mean Streets | ||
| Alice Doesn't Live Here Anymore | ||
| Taxi Driver | ||
| An Interview with Martin Scorsese and Paul Schrader | ||
| New York, New York | ||
| Reconsideration | ||
| The Last Waltz | ||
| Achieving | ||
| Introduction | ||
| Raging Bull | ||
| The King of Comedy | ||
| Scorsese: King of Romantic Pain | ||
| Reconsideration | ||
| After Hours | ||
| Reconsideration | ||
| The Color of Money | ||
| The Last Temptation of Christ | ||
| Scorsese'sLast Temptation | ||
| Reconsideration | ||
| New York Stories: "Life Lessons" | ||
| Martin Scorsese and His "New York" Story | ||
| Establishing | ||
| Introduction | ||
| Good Fell as | ||
| Why Good Fell as was the Best Film of 1990 | ||
| Cape Fear | ||
| The Age of Innocence | ||
| The Innocence of Martin Scorsese | ||
| Casino | ||
| De Niro, Pesci, Scorsese Tell a Shocking Mob Story in Casino | ||
| Reflecting | ||
| Introduction | ||
| Wexner Center for the Arts Interview | ||
| Venturing | ||
| Introduction | ||
| Kundun | ||
| Scorses |