Summary

As a Chicano boy living in the unglamorous town of Hollywood, New Mexico, and a member of the graduating class of 1969, Sammy Santos faces the challenges of "gringo" racism, unpopular dress codes, the Vietnam War, barrio violence, and poverty.


"The Hollywood where Sammy Santos and Juliana Rios live is not the one on the West Coast, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edges of a small town in southern New Mexico. The year is 1969 and Sammy and his fellow citizens of Hollywood attend Las Cruces High School where they face a world of racism, dress codes, the war in Vietnam and the everyday violence of their own barrio. In the summer before his senior year begins, Sammy falls in love with Juliana, a girl whose tough veneer disguises a world of hurt. In Sammy and Juliana in Hollywood, Benjamin Alire Saenz captures what it meant to grow up Chicano in Smalltown America in the late 1960s. He creates a cast of characters that embody humor, toughness, innocence and survival."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


The 'Hollywood' where Sammy Santos and Juliana Rios live is not the West Coast one, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edge of a small town in southern New Mexico. Sammy and this friends - members of the 1969 high school graduating class - face a world of racism, dress codes, war in Vietnam and barrio violence. In the summer before his senior year begins, Sammy falls in love with Juliana, a girl whose tough veneer disguisesa world of hurt. By summer's end, Juliana is dead. Sammy grieves, and in his grief, the memory of Juliana becomes his guide through this difficult year. Sammy is a smart kid, but he's angry. He's angry about Juliana's death, he's angry about the poverty his father and his sister must endure, he's angry at his high school and its thinly disguised gringo racism, and he's angry he might not be able to go to college. Benjamin Alire Saenz, evoking the bittersweet ambience found in such novels as McMurtry's The Last Picture Show, captures the essence of what it meant to grow up Chicano in small-town America in the late 1960s.

Benjamin Alire Saenz - novelist, poet, essayist and writer of children's books - is at the forefront of the emerging Latino literatures. He has received both the Wallace Stegner Fellowship and the Lannan Fellowship, and is a recipient of the American Book Award. Born Mexican-American Catholic in the rural community of Picacho, New Mexico, he now teaches at the University of Texas at El Paso, and considers himself a 'fronterizo,' a person of the border.