Reviews

Publishers Weekly
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The struggle of three sisters in 19th-century Paris blossoms into the rich history of Marie van Goethem, model for Edgar Degas's controversial statue, Little Dancer, Aged Fourteen, in Buchanan's new novel (after The Day the Falls Stood Still). When their father dies, teen sisters Antoinette, Marie, and Charlotte are left to fend for themselves, since their mother's meager wages often dissolve into absinthe. Knowing their best chance for advancement lies in the ballet, Antoinette, an extra at the Opera, get her sisters auditions. Both are accepted as "petit rats," but to everyone's surprise, bookish Marie actually shows talent for dance, and pays for food and private lessons by modeling for the mysterious Edgar Degas. Meanwhile, Antoinette, who has been guardian to her sisters, begins a love affair with Emile Abadie, a young man of questionable character. As Marie's modeling for Degas leads to the interest of a patron of the ballet, Emile is arrested for the murder of a local tavern owner, driving a wedge between the devoted sisters. Though history loses track of Emile Abadie, implicated in three murders, and Marie Van Goethem after Degas's statuette is criticized as "ugly" with the "promise of every vice" on the girl's face, Buchanan captures their story in this engrossing depiction of belle epoque Paris. Agent: Dorian Karchmar, WME Entertainment. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved.


Book list
From Booklist, Copyright © American Library Association. Used with permission.

Buchanan's exquisite historical novel details the lives of would-be ballerinas Antoinette, Marie, and Charlotte van Goethem. Responsible for fending for themselves after the death of their father and the absinthe-soaked decline of their mother, the van Goethem sisters struggle to eke out an existence while subsidizing their ambitions at the harshly competitive school of the Paris Opera. When Marie is selected by Edgar Degas to pose for his future masterpiece, Little Dancer Aged Fourteen,and Antoinette snags a bit part in the stage adaptation of Emile Zola's L'Assommoir, the extra income enables them to avoid, for a while, the tragic pitfalls of life on the lower slopes of Montmartre. To make things even more interesting, Buchannan links the sisters' stories with that of convicted criminals Emile Abadie and Michel Knobloch, the subjects of Degas' Criminal Physiognomies. By intertwining the narrative threads of these drawn-from-history characters, she paints a realistically robust portrait of working-class life in late nineteenth-century Paris. Guaranteed to appeal to fans of Tracy Chevalier, Susan Vreeland, and Melanie Benjamin.--Flanagan, Margaret Copyright 2010 Booklist