Library Journal
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Jac L'Etoile is a mythologist by trade and perfumer by pedigree. Heir to the legendary House of L'Etoile perfume company, Jac has been dodging her painful past for years. In this sequel to The Book of Lost Fragrances, Rose's time-shifting narrative recounts French novelist Victor Hugo's exile on the Isle of Jersey and his participation in hundreds of seances. In the present day, Jac is lured by the island's Celtic history and becomes enmeshed in a family drama that seems to stem back to ancient times. Treated by Jungian therapists since adolescence and well versed in their collective unconsciousness theories, Jac begins to accept that the hallucinations plaguing her may be memories of past lives. VERDICT Jac instinctively identifies her environment through its constituent scents; this results in a luxurious, sensual experience for the reader. Full of well-researched history, the paranormal, and modern intrigue, this atmospheric tale of suspense is fully engrossing to those willing to suspend their disbelief. [See Prepub Alert, 11/12/12.]-Laura Cifelli, Ft. Myers-Lee Cty. P.L., FL (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list
From Booklist, Copyright © American Library Association. Used with permission.

Jac L'Etoile, the mythologist and television host who starred in The Book of Lost Fragrances (2012), returns in a book that is pretty much the same as that one. Like Fragrances, this novel involves a lost item from history (here it's a supposedly lost transcription of a conversation the French author Victor Hugo had, during a seance, with someone from beyond the grave). It also, like its predecessor, involves a present-day mystery linked to the historical item (in this case, a man's wife died in a manner much the same as that of Victor Hugo's daughter, whose death spurred him to try seances in the first place). But does the fact that the two books are very similar mean this one is bad? Not at all. What sells the book what sells all of Rose's books is not the characters or the plots; it's the author's boundless enthusiasm for the material. She believes passionately in her characters and their stories, and we can't help getting caught up in that enthusiasm. We care about Jac, despite her being not particularly well drawn (she's more a series of brushstrokes than a real person), because Rose cares about her so deeply; we care about what happens to Jac when she travels to the British island of Jersey and discovers she's been lured there under false (and mysterious) pretenses, because Rose does. Rose's growing fan base will probably devour this one.--Pitt, David Copyright 2010 Booklist

Publishers Weekly
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The 1843 drowning death of Victor Hugo's beloved eldest daughter, Didine, provides the catalyst for Rose's well-crafted paranormal novel of suspense, a sequel to The Book of Lost Fragrances (2012). In 1855, Hugo, who has exiled himself to the island of Jersey, agrees to a playwright friend's suggestion that he attempt to communicate with Didine's spirit at a seance. The effort to establish contact from beyond the grave succeeds, but as the novelist notes, in so doing he gave the devil "access to my very soul." Meanwhile, in the present, Jac L'Etoile, the protagonist of The Book of Lost Fragrances, arrives on Jersey to investigate a discovery in her area of expertise-Druid mythology. That discovery stems from a document Hugo wrote, linking the two narratives. Rose is especially good at recreating Hugo's despair and willingness to do anything to reunite with Didine, making his abandonment of rationality all too plausible. Agent: Dan Conaway, Writers House. (May) (c) Copyright PWxyz, LLC. All rights reserved.

Kirkus
Copyright © Kirkus Reviews, used with permission.

Rose (The Book of Lost Fragrances, 2012, etc.) fails to breathe new life into her latest offering, which includes themes and characters introduced in previous stories and rehashes discussions about reincarnation, Jungian psychology and olfactory sensations. Mythologist Jac L'Etoile, a woman with a troubled past, is contacted by former fellow mental patient Theo Gaspard, who also has a troubled past. Theo's family home is on the Isle of Jersey, and Theo invites Jac to the island to view some mysterious discoveries he's made. Against her therapist's wishes, Jac journeys to the island, where she meets Theo's elderly aunts, both with--what else?--troubled pasts, and Ash, Theo's estranged and, yes, troubled brother. In the 1850s, the Isle of Jersey becomes Victor Hugo's residence-in-exile and Hugo, troubled by his daughter Didine's death, becomes obsessed with trying to communicate with her through sances. He also smokes hashish, which could explain his claim that he communicates with many of history's greatest souls, including Jesus and Shakespeare. One evening, Hugo meets Fantine, a mysterious, troubled young woman from a family of perfumers who recently lost a child, and he becomes obsessed with her. Switch to 56 B.C., when a tribe of Druids also occupies the Isles--right on the property belonging to Theo. Owain, the high priest, his wife and child live a pretty normal Druid life until he and the other priests have troubling visions that they believe Owain must fulfill in order to save the tribe. Meanwhile, in 1855, Hugo's having his own problems: He's wrangling with the Shadow of the Sepulcher, aka Lucifer, who's made him a pretty sweet offer. And then there's Jac in present-day life: She's suffering dizzy spells, being bombarded by different smells, experiencing overwhelming feelings of dread and calling out weird names. One of the aunts ties a ribbon around her wrist to keep Jac from slipping away to heaven-knows-where, and it seems to do the trick. As the author switches back and forth between the very distant past, the sort-of-distant past and the present, she finally connects all the troubled characters (long after the reader's managed to do so) and brings the book to a close--but not before Jac, her hosts and therapists have protracted discussions about reincarnation and the collective unconscious. Much dj vu about nothing.]] Copyright Kirkus Reviews, used with permission.