From Booklist, Copyright © American Library Association. Used with permission.
*Starred Review* Baskin tells this luminous story entirely from the point of view of Jason, an autistic boy who is a creative-writing whiz and deft explainer of literary devices, but markedly at a loss in social interactions with neurotypicals both at school and at home. He is most comfortable in an online writing forum called Storyboard, where his stories kindle an e-mail-based friendship with a girl. His excitement over having a real friend (and maybe even girlfriend) turns to terror when he learns that his parents want to take him on a trip to the Storyboard conference, where he'll no doubt have to meet her in person. With stunning economy, Baskin describes Jason's attempts to interpret body language and social expectations, revealing the extreme disconnect created by his internalization of the world around him. Despite his handicap, Jason moves through his failures and triumphs with the same depth of courage and confusion of any boy his age. His story, while neither particularly heartbreaking nor heartwarming, shows that the distinction between normal and not normal is whisper-thin but easily amplified to create the chasm between different and defective. This is an enormously difficult subject, but Baskin, without dramatics or sentimentality, makes it universal. As Jason explains, there's really only one kind of plot: Stuff happens. That's it.--Chipman, Ian Copyright 2009 Booklist
School Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Gr 4-7-Baskin writes in the voice of a high-functioning boy who identifies himself as having numerous disorders, most with labels that appear as alphabet soup. In the third grade, after yet another battery of tests, Jason receives the diagnosis of autism. Now in sixth grade, he relates how he does not fit in, even though he tries to follow the instructions of his therapists and helpers. He labels the rest of his classmates and teachers as neurotypicals, or NTs for short. While humor resonates throughout the book, the pathos of Jason's situation is never far from readers' consciousness. If only he could act on what he knows he needs to do, his life would be so much easier. Jason also shows himself to be a deep thinker and an excellent writer. Through his stories and thinly veiled fictional characters, Baskin reveals not only the obstacles that Jason faces, but also his fierce determination to be himself at all costs. Jason is a believable and empathetic character in spite of his idiosyncrasies. Baskin also does a superb job of developing his parents and younger brother as real people with real problems, bravely traversing their lives with a differently abled child without a road map, but with a great deal of love.-Wendy Smith-D'Arezzo, Loyola College, Baltimore, MD (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright PWxyz, LLC. All rights reserved
Baskin (All We Know of Love) steps into the mind of an autistic boy who, while struggling to deal with the "neurotypical" world, finds his voice through his writing ability. Though Jason initially seemed a prodigy, by third grade he had fallen behind academically, and his parents reluctantly had him tested ("A year later the only letters anybody cared about were ASD, NLD, and maybe ADD or ADHD, which I think my mom would have liked better. BLNT. Better luck next time"). Now in sixth grade, Jason still has behavioral difficulties, but is passionate about his writing and actively posts stories in an online forum. There he strikes up a friendship with (and develops a crush on) a fellow writer, though he becomes distraught when he discovers they will both be attending the same writing conference. The first-person narration gives dramatic voice to Jason's inner thoughts about his family and his own insecurities, even as he withholds details (usually about incidents at school) from readers. Jason's powerful and perceptive viewpoint should readily captivate readers and open eyes. Ages 10-14. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved