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Angela McNair is a boy! Oh, to the rest of the world she's obviously a girl. But the transgendered high-school junior knows that she's a boy. And so, bravely, Angela cuts her hair short, buys boys' clothing, and announces that his name is now Grady and that he is beginning his true new life as a boy. Of course, it's not as simple as that; Grady encounters an array of reactions ranging from outright hostility to loving support. To her credit, Wittlinger has managed to avoid the operatic (no blood is shed, no lives are threatened) but some readers may wonder if--in so doing--she has made things a bit too easy for Grady. His initially bewildered family rallies around him; he finds a champion in a female gym teacher; he loses but then regains a best friend while falling in love with a beautiful, mixed-race girl. Wittlinger, who is exploring new, potentially off-putting ground here (only Julie Anne Peters' Luna, 2004, has dealt with this subject before in such detail), manages to create a story sufficiently nonthreatening to appeal to--and enlighten--a broad range of readers, including those at the lower end of the YA spectrum. She has also done a superb job of untangling the complexities of gender identity and showing the person behind labels like gender dysphoria. Grady turns out to be a very normal boy who, like every teen, must deal with vexing issues of self-identity. To his credit, he does this with courage and grace, managing to discover not only the him in self but, also, the my. --Michael Cart Copyright 2007 Booklist

School Library Journal
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Gr 9 Up-As in Hard Love (S & S, 1999), Wittlinger tackles GLBT issues, introducing readers to Grady McNair, formerly known as Angela. This fast read follows Grady through the days between Thanksgiving and Christmas as he comes out as transgendered, faces issues of acceptance and rejection at school and at home, and falls in love with the hottest girl in school. Funny and thought-provoking in turns, the book does suffer from a few structural problems. The narrator's voice is very feminine for somebody who has internally always felt like a boy, and with little effort on his part, Grady ends the book with family approval, new and old friends, a previously forbidden pet, and the end of an embarrassing family holiday tradition. Flaws aside, the book is an excellent resource for building awareness about, and serving the increasing number of, transgendered teens. Helpful resources include Web sites and further-reading material. The lack of similar titles available, except for Julie Ann Peters's Luna (Little, Brown, 2004), and Wittlinger's captivating storytelling ability combine to make this a book that most libraries should stock. Grady eventually decides that he will always straddle the 50 yard line of gender, and the book should help teens be comfortable with their own place on that football field.-Cara von Wrangel Kinsey, New York Public Library (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly
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Grady, the teen at the center of Wittlinger's (Blind Faith) latest novel, realizes that "inside the body of this strange, never-quite-right girl was hiding the soul of a typical, average, ordinary boy," so he changes his name (he was born Angela) and starts living as a guy. As one might expect, he faces different degrees of acceptance both at school and at home. Grady deals with a bully who is bent on his humiliation, but makes friends with an offbeat boy writing a report on spotlight parrotfish (which also change from female to male), and attracts the attention of a biracial girl. The story has an unusual backdrop: Grady's father is obsessed with Christmas, setting up elaborate decorations inside the house and out and forcing his family to perform an adaptation of A Christmas Carol for their neighbors. Readers can predict that something poignant-if rather unbelievable-will happen during this year's performance (Grady has written a new version, which includes his pronouncement that "Things as they should be, Father, are not things unchanging"). Overall, though, Grady is portrayed realistically, which makes it easy to think of him as a boy. The author demonstrates well the complexity faced by transgendered people and makes the teen's frustration with having to "fit into a category" fully apparent. Ages 12-up. (July) (c) Copyright PWxyz, LLC. All rights reserved