Reviews

Library Journal
(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

The prolific Mosley, who made his name with mysteries, has also written science fiction, a graphic novel, and film scripts. This is the third installment in his visionary flipbook series. Like the previous two titles (The Gift of Fire/The Head of a Pin; Merge/Disciple), it combines sf elements with an apocalyptic view of planet Earth. In Stepping Stone, a man everyone assumes is retarded sees a woman whom no one else can see. By the end of the story, he's leading a rearguard action against a race of "intergalactic social spiders." In Love Machine, a woman submits to a cyberexperiment that results in her joining a "Co-mind." Mosley's strength has always been getting readers inside the skins of people different from themselves, but that element is unfortunately missing in these overheated semiparables. They're abstract, hyperbolic, and padded with cliches and fuzzy language. VERDICT This double book will probably sell because Mosley has many admirers, but it's not very good.--David Keymer, Modesto, CA (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Book list
From Booklist, Copyright © American Library Association. Used with permission.

Mosley's Crosstown to Oblivion series (each volume of which features two short novels packaged back-to-back in the manner of the old Ace Doubles) continues with this third installment. In Love Machine, a scientist has created a device that allows human minds to share thoughts and emotions. The scientist dreams of a collective human mind shared by all of humanity, but is he a groundbreaking researcher, an evil genius, or a self-appointed god? In Stepping Stone, a man begins to imagine that he's encountering a mysterious woman only he can see. Slowly his life begins to change his dreams taking him to other places, his nightmares showing him real events and eventually he discovers that he might be humanity's savior, but also its destroyer. Both stories are well written and imaginative, although Stepping Stone is a bit stronger, thanks to its compelling first-person narration. Astute readers will see where the plots are going early on (even the series title is a giveaway), but, even so, there is plenty here both style and story to satisfy readers of speculative fiction.--Pitt, David Copyright 2010 Booklist


Book list
From Booklist, Copyright © American Library Association. Used with permission.

Mosley's Crosstown to Oblivion series (each volume of which features two short novels packaged back-to-back in the manner of the old Ace Doubles) continues with this third installment. In Love Machine, a scientist has created a device that allows human minds to share thoughts and emotions. The scientist dreams of a collective human mind shared by all of humanity, but is he a groundbreaking researcher, an evil genius, or a self-appointed god? In Stepping Stone, a man begins to imagine that he's encountering a mysterious woman only he can see. Slowly his life begins to change his dreams taking him to other places, his nightmares showing him real events and eventually he discovers that he might be humanity's savior, but also its destroyer. Both stories are well written and imaginative, although Stepping Stone is a bit stronger, thanks to its compelling first-person narration. Astute readers will see where the plots are going early on (even the series title is a giveaway), but, even so, there is plenty here both style and story to satisfy readers of speculative fiction.--Pitt, David Copyright 2010 Booklist


Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

The prolific Mosley, who made his name with mysteries, has also written science fiction, a graphic novel, and film scripts. This is the third installment in his visionary flipbook series. Like the previous two titles (The Gift of Fire/The Head of a Pin; Merge/Disciple), it combines sf elements with an apocalyptic view of planet Earth. In Stepping Stone, a man everyone assumes is retarded sees a woman whom no one else can see. By the end of the story, he's leading a rearguard action against a race of "intergalactic social spiders." In Love Machine, a woman submits to a cyberexperiment that results in her joining a "Co-mind." Mosley's strength has always been getting readers inside the skins of people different from themselves, but that element is unfortunately missing in these overheated semiparables. They're abstract, hyperbolic, and padded with cliches and fuzzy language. VERDICT This double book will probably sell because Mosley has many admirers, but it's not very good.--David Keymer, Modesto, CA (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Publishers Weekly
(c) Copyright PWxyz, LLC. All rights reserved

The unevenness of Mosley's Crosstown to Oblivion series continues in the third pair of unconvincing novellas (after Merge/Disciple). "Stepping Stone" is the more compelling piece, relating the experiences of Truman Pope, a man who overcame learning disabilities with the help of a sympathetic teacher and who has labored for years as mailroom supervisor for a Manhattan financial firm. Pope has settled into a staid routine that comes to an abrupt halt when he sees a woman in the elevator whom no one else can see. The vision proves to be the first of a series of odd episodes that lead to an apocalyptic threat to mankind. "Love Machine" starts more strongly then it finishes, with the development of a device that allows people to share sensory experiences. There are flashes of Mosley's lyrical gifts ("Slowly the night turned into another kind of darkness and the dreams settled into dust upon a vast, unseen desert floor"), but not enough. Agent: Gloria Loomis, Watkins Loomis. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved.


Book list
From Booklist, Copyright © American Library Association. Used with permission.

Mosley's Crosstown to Oblivion series (each volume of which features two short novels packaged back-to-back in the manner of the old Ace Doubles) continues with this third installment. In Love Machine, a scientist has created a device that allows human minds to share thoughts and emotions. The scientist dreams of a collective human mind shared by all of humanity, but is he a groundbreaking researcher, an evil genius, or a self-appointed god? In Stepping Stone, a man begins to imagine that he's encountering a mysterious woman only he can see. Slowly his life begins to change his dreams taking him to other places, his nightmares showing him real events and eventually he discovers that he might be humanity's savior, but also its destroyer. Both stories are well written and imaginative, although Stepping Stone is a bit stronger, thanks to its compelling first-person narration. Astute readers will see where the plots are going early on (even the series title is a giveaway), but, even so, there is plenty here both style and story to satisfy readers of speculative fiction.--Pitt, David Copyright 2010 Booklist