Library Journal
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Most often, offerings from the thriller/horror genre force an everyman character to confront an extraordinary circumstance, compelling the reader to wonder, "What would I do if this were happening to me?" Koontz (Deeply Odd) has, of late, taken the opposite approach. His "Odd Thomas" series chronicles a young man endowed with a sixth sense-and more-while his "Moonlight Bay" trilogy features a hero who lives under the cover of darkness because of a rare genetic disorder. Now Koontz introduces Addison Goodheart, a grotesquely deformed young man who has remained in the shadows for all of his 24 years. The story he tells, in the elegant prose of one whose understanding of language has come more from reading than from conversation, is that of his venturing forth into a fuller life than he had ever imagined for himself. It is Addison's encounter with Gwyneth, a Goth girl who boldly embraces her own solitary existence while she seeks to prove that her father's seemingly accidental death was actually a murder, that draws him into the light. -VERDICT Fans of Koontz's previous series will be left hoping that Addison and Gwyneth, too, will return. [See Prepub Alert, 7/15/13.]-Nancy McNicol, Hamden P.L., CT (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly
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In this imaginative, mystical thriller from bestseller Koontz (77 Shadow Street), Addison Goodheart, a 26-year-old man so "exceedingly ugly" that his appearance causes "the most terrible rage" in regular people, lives alone in a hidden part of an American metropolis, but views his solitude as a gift that has enabled him to recognize "reality's complex dimensions." An unexpected encounter in a deserted library with Gwyneth, an 18-year-old Goth girl who's the target of the rare-book curator's lust, throws him for a loop. Addison bonds with Gwyneth, who suspects her nemesis, J. Ryan Telford, of murdering her father by sending him poisoned honey. The interactions of the isolated leads and the meaning of their existence overshadow the crime elements, and the language can be vague (e.g., "Who we of the hidden were, what we were, why we ever existed, explained the mystery of music issuing out of the ether"). Still, this is the most satisfying Koontz standalone in a while. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved.

Book list
From Booklist, Copyright © American Library Association. Used with permission.

*Starred Review* Addison Goodheart, who must never be seen, and last-nameless Gwyneth, who must never be touched, meet sensationally cute at the end of evading a big, enraged man shouting that he'll kill her. Confronting one another by the Dickens collection of the grand central library of a never-named American metropolis, they realize, as he says, that we're made for each other. Love at first sight, though heavily impeded (by his clothes and her makeup), saves both them and the story time, which they need because her would-be rapist-murderer is about to find her, no matter her many hideouts, and which the reader relishes because this is as speedy a chase-thriller as any Koontz, a past master of the form, has ever constructed. Written in Koontz' late mellifluent and reflective manner (Addison ponders as well as reveals his backstory in many flashbacks), the book is also another of his moral thrillers, fueled by deep disgust with the world's evils especially abusive violence, especially against children and by definite, though idiosyncratic, Christian hope for redemption. And so this entrancing romance resolves, like Koontz's The Taking (2004), apocalyptically, in a new Earth.--Olson, Ray Copyright 2010 Booklist