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*Starred Review* Egan is a writer of cunning subtlety, embedding within the risky endeavors of seductively complicated characters a curious bending of time and escalation of technology's covert impact. Following her diabolically clever The Keep (2006), Egan tracks the members of a San Francisco punk band and their hangers-on over the decades as they wander out into the wider, bewildering world. Kleptomaniac Sasha survives the underworld of Naples, Italy. Her boss, New York music producer Bennie Salazar, is miserable in the suburbs, where his tattooed wife, Stephanie, sneaks off to play tennis with Republicans. Obese former rock-star Bosco wants Stephanie to help him with a Suicide Tour, while her all-powerful publicist boss eventually falls so low she takes a job rehabilitating the public image of a genocidal dictator. These are just a few of the faltering searchers in Egan's hilarious, melancholy, enrapturing, unnerving, and piercingly beautiful mosaic of a novel. As episodes surge forward and back in time, from the spitting aggression of a late-1970s punk-rock club to the obedient, socially networked herd gathered at the Footprint, Manhattan's 9/11 site 20 years after the attack, Egan evinces an acute sensitivity to the black holes of shame and despair and to the remote-control power of the gadgets that are reordering our world.--Seaman, Donna Copyright 2010 Booklist
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Readers will be pleased to discover that the star-crossed marriage of lucid prose and expertly deployed postmodern switcheroos that helped shoot Egan to the top of the genre-bending new school is alive in well in this graceful yet wild novel. We begin in contemporaryish New York with kleptomaniac Sasha and her boss, rising music producer Bennie Salazar, before flashing back, with Bennie, to the glory days of Bay Area punk rock, and eventually forward, with Sasha, to a settled life. By then, Egan has accrued tertiary characters, like Scotty Hausmann, Bennie's one-time bandmate who all but dropped out of society, and Alex, who goes on a date with Sasha and later witnesses the future of the music industry. Egan's overarching concerns are about how rebellion ages, influence corrupts, habits turn to addictions, and lifelong friendships fluctuate and turn. Or as one character asks, "How did I go from being a rock star to being a fat fuck no one cares about?" Egan answers the question elegantly, though not straight on, as this powerful novel chronicles how and why we change, even as the song stays the same. (June) (c) Copyright PWxyz, LLC. All rights reserved
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Time changes both everything and nothing in this novel about former punk rocker-turned-music executive Bennie Salazar and Sasha, his indispensable secretary with an unhappy past. A host of characters from San Francisco's 1970s music scene collide in ways that are hard to summarize, with peripheral characters in one chapter more fully developed in others. These well-defined characters and the engaging narrative are hallmarks of Egan's earlier fiction, which include Look at Me, a National Book Award finalist, and the best-selling The Keep. Here, we learn that power is transient, authenticity is not all it's cracked up to be, and friendships are often fragile, but the connections among people matter terribly. Often, we survive the self-destructive tendencies of youth only to realize that we've just exchanged one set of problems for another. Verdict In the end, this novel does offer hope, but it is the grubby kind that keeps you going once you've been kicked to the curb. Readers will enjoy seeing the disparate elements of this novel come full circle. [See Prepub Alert, LJ 2/15/10.]-Gwen Vredevoogd, Marymount Univ., Arlington, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.