From Arthur Miller, America’s most celebrated playwright, a searing portrait of a community engulfed by hysteria, inspired by Senator Joseph McCarthy’s anti-communist “witch-hunts” in the 1950s
“I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history,” Arthur Miller wrote in an introduction toThe Crucible, his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town’s most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence.
Written in 1953, just after Miller received a Pulitzer Prize forDeath of a Salesman,The Cruciblemirrors the anti-communist hysteria inspired by Senator Joseph McCarthy’s “witch-hunts” in the United States. Within the text itself, Miller contemplates the parallels, writing “Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence.”Author Notes
Arthur Miller was born in New York City in 1915 and studied at the University of Michigan. His plays include All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge and A Memory of Two Mondays (1955), After the Fall (1964), Incident at Vichy (1965), The Price (1968), The Creation of the World and Other Business (1972), and The American Clock (1980). He has also written two novels, Focus (1945) and The Misfits, which was filmed in 1960, and the text for In Russia (1969), In the Country (1977), and Chinese Encounters (1979), three books of photographs by Inge Morath. His most recent works include a memoir, Timebends (1987), the plays The Ride Down Mt. Morgan (1991), The Last Yankee (1993), Broken Glass (1994), and Mr. Peters' Connections (1999), Echoes Down the Corridor: Collected Essays, 1944-2000, and On Politics and the Art of Acting (2001). He has twice won the New York Drama Critics Circle Award, and in 1949 he was awarded the Pulitzer Prize. Christopher Bigsby has published more than twenty books on British and American culture. His works include studies of African-American writing, American theater, English drama, and popular culture. He is the author of two novels, Hester and Pearl, and he has written plays for radio and television. He is also a regular broadcaster for the BBC. He is currently professor of American Studies at the University of East Anglia, in Norwich, England.
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